Conservator Margje Leeuwestein inspecting Bridge at Arles on the Kröller-Müller Museum
Kröller-Müller Museum, Otterlo
Van Gogh’s Bridge at Arles (Pont de Langlois) has simply been examined within the Kröller-Müller Museum’s conservation studio, to verify that it’s in ok situation to journey to an exhibition in Japan. Will probably be the centrepiece of a present that’s to be offered in three Japanese cities in 2027.
Bridge at Arles (March 1888) was one of many first panorama work executed by Van Gogh after his arrival in Provence. The Dutch-style picket drawbridge, within the south-west outskirts of Arles, should have introduced again recollections of his youth within the Netherlands. Within the portray, a gaggle of washerwomen work by the canal that runs south from Arles to the Mediterranean.
Vincent described the image in a letter to his brother Theo: “It’s the drawbridge with just a little yellow carriage and group of washerwomen, a research during which the fields are a shiny orange, the grass very inexperienced, the sky and the water blue.”
By now, Van Gogh had turn out to be extremely expert in his use of color, significantly complementary tones: the highly effective blue sky and contrasting yellow drawbridge within the higher half of the portray; the orange earth and inexperienced grass within the lower-left nook.
Happy with Bridge at Arles, Van Gogh deliberate to ship it as a private reward to Hermanus Tersteeg, the long-serving head of the Goupil gallery in The Hague. Van Gogh had recognized him since 1869, when as a 16-year-old assistant he had been working for Tersteeg.
Practically 20 years later, Tersteeg was nonetheless with Goupil in The Hague and Van Gogh thought that the gallery may be capable of promote his artwork. Searching for his help, Van Gogh added a dedication to Tersteeg on the portray, simply above his signature.

A much-enlarged element of Van Gogh’s Bridge at Arles together with his signature and the naked patch above it the place the dedication to Tersteeg had been scraped off
Kröller-Müller Museum, Otterlo
For some unknown cause, the panorama image by no means reached Tersteeg and somebody later scraped off the dedication. The image remained with Theo and his widow Jo Bonger bought it in 1897. It was later acquired by Helene Kröller-Müller in 1912.
A uncommon {photograph}, unpublished within the Van Gogh literature, depicts the Pont de Langlois in 1929, shortly earlier than it was changed. It was taken by Johannes Reiher (1893-1981), a German newbie photographer and artwork collector. It was noticed by one in every of readers, Yuri Pikul, a Ukrainian artist primarily based in Kyiv. Reiher should have had Van Gogh’s portray in thoughts, staging the {photograph} with a horse and cart crossing the center of the bridge.

Johannes Reiher’s {photograph} Arles Canal Bridge (1929)
Deutsche Fotothek, Dresden (stock 70030596)
Little had modified within the practically 40 years between Van Gogh’s portray and Reiher’s {photograph}. Further struts had been added to the decrease a part of the bridge, to strengthen it, and Van Gogh’s 5 poplar bushes had turn out to be a denser group.
In his letters Van Gogh referred to as the bridge the “Pont de l’Anglais” (the Englishman’s Bridge). Nevertheless, Van Gogh specialists have since corrected him, figuring out it because the Pont de Langlois, which was apparently named after the canal worker liable for it. However through the late-Nineteenth century some written sources do seek advice from the bridge because the Pont de l’Anglais, so Van Gogh was not incorrect.
After his first work, Van Gogh went on to finish three extra work of the bridge, alongside 4 drawings and a watercolour—proof that it was an essential motif for him. One of many work is now at Amsterdam’s Van Gogh Museum, one other is at Cologne’s Wallraf-Richartz Museum & Fondation Corboud and the third is in a non-public assortment. There was additionally a fifth portray of the Langlois Bridge which was nearly fully discarded by the artist as a result of he was dissatisfied with it, leaving only a surviving fragment depicting a pair of lovers who have been strolling by the canal.
Though the Langlois Bridge itself was dismantled in 1931, there’s now a “Van Gogh Bridge”, erected for the good thing about vacationers. Practically all of the remaining unique bridges on the canal have been destroyed through the Second World Struggle, though one survived on the port of Fos-sur-Mer. It was dismantled and reinstalled close to Arles in 1962 to echo the scene in Van Gogh’s work. Nevertheless it was not re-erected the place the Langlois Bridge as soon as stood, as a substitute it’s practically three kilometres out of city.

The “Van Gogh Bridge”, which was re-erected outdoors Arles in 1962
By way of Wikimedia Commons
In the meantime plans are going forward in Japan for The Grand Van Gogh Exhibition, with a big group of works on mortgage from the Kröller-Müller Museum. Bridge at Arles would be the lead portray. The present is scheduled to open on the Kobe Metropolis Museum (February–Might 2027) after which go on to the Fukushima Prefectural Museum of Artwork (June-September 2027) and Tokyo’s Ueno Royal Museum (October 2027–January 2028).
Till then, Bridge at Arles will stay on show on the Kröller-Müller Museum in Otterlo, within the east of the Netherlands.
Martin Bailey is a number one Van Gogh specialist and particular correspondent for The Artwork Newspaper. He has curated exhibitions on the Barbican Artwork Gallery, Compton Verney/Nationwide Gallery of Scotland and Tate Britain.

Martin Bailey’s current Van Gogh books
Martin has written quite a lot of bestselling books on Van Gogh’s years in France: The Sunflowers Are Mine: The Story of Van Gogh’s Masterpiece (Frances Lincoln 2013, UK and US), Studio of the South: Van Gogh in Provence (Frances Lincoln 2016, UK and US), Starry Night time: Van Gogh on the Asylum (White Lion Publishing 2018, UK and US) and Van Gogh’s Finale: Auvers and the Artist’s Rise to Fame (Frances Lincoln 2021, UK and US). The Sunflowers are Mine (2024, UK and US) and Van Gogh’s Finale (2024, UK and US) are additionally now accessible in a extra compact paperback format.
His different current books embrace Dwelling with Vincent van Gogh: The Properties & Landscapes that formed the Artist (White Lion Publishing 2019, UK and US), which offers an summary of the artist’s life. The Illustrated Provence Letters of Van Gogh has been reissued (Batsford 2021, UK and US). My Buddy Van Gogh/Emile Bernard offers the primary English translation of Bernard’s writings on Van Gogh (David Zwirner Books 2023, UKand US).
To contact Martin Bailey, please e mail vangogh@theartnewspaper.com
Please be aware that he doesn’t undertake authentications.
Discover all of Martin’s adventures with Van Gogh right here






